Rewritten Critique (Authorless, Native Style)

The Rainbow Goblins is far more than an adaptation of a fantasy tale; it is an act of artistic transmutation, a reimagining in which narrative dissolves and re-emerges as sound.

Where the original story unfolds through images and language, its emotional and philosophical essence is reconstructed through melody, harmony, and rhythm, giving rise to what might be called a second mythology—one that exists not on the page, but in vibration and air.

The power of this work lies not in fidelity to its source, but in its radical independence from it.

Rather than illustrating the story in a literal or programmatic way, it distills the core of the tale and renders it in a musical language of its own.

The tension between harmony and greed, innocence and desire, nature and domination is no longer narrated—it is experienced.

The listener does not merely observe a story; they are drawn into its internal logic and emotional gravity.

In this sense, The Rainbow Goblins becomes a parallel legend.

The Goblins cease to be characters and emerge instead as sonic forces; the Rainbow is no longer a visual phenomenon but a precarious equilibrium of tone and color.

Fusion, rock, jazz, and electronic textures interweave to create a soundscape in which music itself assumes the role of storytelling.

Every phrase, every harmonic shift, functions as a narrative gesture, articulating emotions that language could never fully contain.

There is, moreover, something profoundly modern in this vision.

The work reflects not only a fairy tale, but the unease of a contemporary world in which beauty is relentlessly commodified and nature systematically exploited.

By translating the story into sound, it elevates a moral fable into an existential meditation.

It does not instruct or moralize; it resonates.

Its meaning unfolds gradually, through sensation rather than statement.

Ultimately, the achievement of The Rainbow Goblins lies in its ability to transcend boundaries between genre and medium.

It is neither simply progressive rock nor jazz fusion, neither illustration nor soundtrack.

It is a self-contained universe—a sonic mythology that stands beside the original tale while remaining fiercely and irreducibly autonomous.

If the original story warns of the perils of greed, this musical incarnation goes even further.

Through sound alone, it reminds us that beauty is not something to be owned, but something to be encountered—fleeting, fragile, and endlessly luminous.

世界線と界隈の入り口

もちろんAI (,,,,,,,にゃん..ぴー)はわからない説明さえて頂きます。

心晴れるまで

土屋梨沙